Esthetic, form and transmission

Abstract

The interrogation to the form and his aesthetic character drives us to investigate over his definitions and substantial precisions, in first instance it refers to the concept of aesthetics understood as a factor inherent in the human behavior, in a way in which the man lives his aesthetic experience from the intervention of the senses and the perception when in touch with cqrtain aesthetic manifestation, understood not only as artistic product or element provided with beauty, but it can be approached from areas like physiological, technically, socially and figuratively. And, the form understood as the éxteriorization and product of man, can be considered to be a " symbolic object ", given his condition of transmitter of messages and carrier of meanings; and specifically catalogued as significant if his character is kept in mind, being implicit with it the fact of transmission.