The form as aesthetic language in desing-a vision from the technical drawing
DOI:
https://doi.org/10.31908/grafias.v0i12.1563Keywords:
Language, form, perception, aesthetic, design, communication, representationAbstract
In this essay highlights the importance of drawing in the design process of design, which shows the definition of form as a foundation for the realization of an artifact, seen from the intervention and handling that is done to field to acquire aggregated values did not have before, the perception has to be that way from an aesthetic level and to carry a meaning. It also highlights the importance of describing and adequately represent the way in order for it to be easily manipulated, and that from early forms like point, line and area combined properly, they can produce more complex for the correct definition of the artifact development. It also presents the drawing as an accessory character and aesthetic creative purely mechanical or instrumental
References
BERTOLINE, WIEBE, MILLER, MOHLER. (1999). . 2ed. México: Mc Graw-Hill.
BÛRDEK Bernard. (1994). . Barcelona: Gustavo Gili.
LÔBACH, Bernd. (1991). . Barcelona: Gustavo Gili.
QUARANTE, Danielle. (1992). . Barcelona: CEAC.
RODRÍGUEZ G.,A. (2003). . Medellín: Fondo Editorial Universidad EAFIT.
SCOTT, R. G. (2002). Fundamentos del diseño. México: Limusa.
ZAMBRANO L., Edward. (2004). Introducción al diseño industrial. Volumen1. 2ed. Bogotá: La Silueta Ediciones Limitada.
UNIVERSIDAD DE CHILE. Departamento de Pregrado. Cursos de Formación General: El objeto del diseño, expresión material de la cultura. http://www.cfg.uchile.cl (jul.2008)
