From the clay to the object

Authors

  • Martha Liliana Marín Montoya Estudiante

DOI:

https://doi.org/10.31908/grafias.v0i12.1558

Keywords:

Industrial design, ceramics, functional and aesthetic object, formal and functional similarities, relationships form and function, satisfaction of needs

Abstract

During the first phase of substantiation of Industrial Design degree from the Catholic University of Risaralda, contained within the curriculum was developed in the technological area, based on the kind of practical work Ceramics in the first half of 2008, from which emerged the test presented below. Which seeks to demonstrate how ceramics, noble and pliable material, can afford to be a fundamental part of building contemporary objects, not only used to decorate or embellish a space, but also objects which by their nature symbolic communication, formal-aesthetic and practices serve a specific function through its specific forms, which are the result of an analysis and analog process with an element of nature.

Author Biography

  • Martha Liliana Marín Montoya, Estudiante

    Estudiante VII semestre de Diseño Industrial.

References

SOLANAS DONOSO, Jesús (1985). . Cap. La Naturaleza como modelo. Barcelona: Ed. Salvat.

QUARANTE, Danielle (1992). . Barcelona: Ed. Ceac.

RICARD, André. (1982). Cap. De la creatividad objetual. Barcelona: Ed. Colección punto y línea Gustavo Gili.

SIERRA, Fernando (2005). . Medellín: Ed. Universidad Pontificia Bolivariana.

ZAPATA VANEGAS, Fredy (2004). Universidad de los Andes. Trad. Ana María Pinzón. Bogotá: Ediciones Uniandes, 191p.

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Published

2020-05-22

Issue

Section

Artículos